![]() ![]() In the first half of Act II, the protagonist becomes a Wanderer in order to answer the Central Question. Think Clark Kent in SUPERMAN or Cole, the boy who sees dead people in THE SIXTH SENSE. In some way, shape, or form, the Orphan is unique from the rest of the world around him. ![]() ![]() ![]() At times, the cause of his orphanhood is outside of his control, yet at other times, itʼs by choice by distancing himself from family and love because of duty, iconoclasm, selfishness, or emotional reserve. In Act I, the Orphan is sometimes a real orphan sometimes a figurative one. Save everyone’s life and get off the islandĮxamples of the Four Questions as they are applied to some of the highest grossing films In ascertaining whether a story is worth telling, any story idea is subjected to the Four Questions: These plot points work for absolutely every genre and are specific enough to guide you while general enough to ensure your stories are unique and special.Īnd incredibly, that's all theory you need to know to start using Contour. More than just a logline, this formula totally lays out all three acts in 60 to 80 words.Ĭontour uses a liberating system of plot points which are discreet, unique, and essential chunks of story information. The central question is the question that, once it's answered definitively yes' or no', the movie is over.Īll of the top films can tell their full story using a very simple formula. In act three, the main character becomes a martyr.Īct one ends and act two begins with the clear statement of something called the central question. In the second half of act two, the main character becomes a warrior. In the first half of act two, the main character is a wanderer. In act one, the main character is or becomes an orphan. In all of the top movies, the main character moves through 4 distinct archetypes during the course of the movie: ![]()
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